But one is a stranger, a woman she notices while she sits on a bench, gathering herself. It’s a type of woman she has never seen before, because there are no old women in Barbieland. When Barbie looks at her, she finds her beautiful and tells her so. The woman already knows. Suddenly Barbie, the fraught aspirational figure, has beheld someone she might aspire to be, and it is a radiantly content nonagenarian, reading a newspaper on a Los Angeles bench, who knows what she’s worth.
“The idea of a loving God who’s a mother, a grandmother — who looks at you and says, ‘Honey, you’re doing OK’ — is something I feel like I need and I wanted to give to other people,” Gerwig says. When it was suggested that this scene, which Gerwig calls a “transaction of grace,” might be cut for time, she remembers thinking: “If I cut that scene, I don’t know why I’m making this movie.If I don’t have that scene, I don’t know what it is or what I’ve done.”
being in your early twenties is like [grocery shopping alone] [having instant noodles for dinner] [remembering random details about that one friend you haven’t spoken to in five years] [feeling overwhelming guilt for every purchase that isn’t strictly “necessary”] [having midday naps] [finding out through facebook that the girl who was mean to you in high school has a husband and a baby] [falling a little in love with every stranger on public transport] [pretending you’re not afraid of being alone] [wondering when you’ll feel like a fully realized person] [listening to bands you liked in middle school] [blinking and it’s suddenly december] [failing to imagine yourself ten years from now] [feeling like you’re running out of time]
